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Pahari$506730$ - translation to English
FORM OF INDIAN PAINTING
Pahari Painting; Pahari art
![[[Radha]] celebrating ''[[Holi]]'', ca.1788](https://commons.wikimedia.org/wiki/Special:FilePath/Radha celebrating Holi, c1788.jpg?width=200 "[[Radha]] celebrating ''[[Holi]]'', ca.1788")
![[[Sudama]] bows at the glimpse of Krishna's golden palace in [[Dwarka]]. ca.1775–1790](https://commons.wikimedia.org/wiki/Special:FilePath/Sudama bows at the glimpse of Krishna's golden palace in Dwarka. ca 1775-1790 painting.jpg?width=200 "[[Sudama]] bows at the glimpse of Krishna's golden palace in [[Dwarka]]. ca.1775–1790")
![1740}}, colour on paper, 22 × 33 cm, [[Cleveland Museum of Art]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kali Attacking Nisumbha, c. 1740.jpg?width=200 "1740}}, colour on paper, 22 × 33 cm, [[Cleveland Museum of Art]]")
Pahari
n. Pahari, indo-europäische Sprachenuntergruppe des Pahari Volkes
Wikipedia
Pahari painting
Pahari painting (literally meaning a painting from the mountainous regions: pahar means a mountain in Hindi) is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from Himalayan hill kingdoms of North India, during 17th-19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of Hindu deities Radha and Krishna.
